00 Eckmania Display

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Leg of mutton fist
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To every bunter Bess brags
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Horse marine
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Lay down the knife and fork
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Gentleman of three ins
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Force the voucher
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LULLABY OF BIRDLAND WHISPER LOW
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KISS ME SWEET AND WE’LL GO
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FLYIN’ HIGH IN BIRDLAND
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HIGH IN THE SKY UP ABOVE
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ALL BECAUSE WE’RE IN LOVE
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ILS PROMÈNENT AU VENT
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But here is an artist. He desires to paint you the dreamiest, shadiest, quietest, most enchanting bit of romantic landscape in all the valley of the Saco. What is the chief element he employs? There stand his trees, each with a hollow trunk, as if a hermit and a crucifix were within
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These reflections just here are occasioned by the circumstance that after we were all seated at the table, and I was preparing to hear some good stories about whaling; to my no small surprise, nearly every man maintained a profound silence. And not only that, but they looked embarrassed. Yes, here were a set of sea-dogs, many of whom without the slightest bashfulness had boarded great whales on the high seas—entire strangers to them—and duelled them dead without winking; and yet, here they sat at a social breakfast table—all of the same calling, all of kindred tastes—looking round as sheepishly at each other as though they had never been out of sight of some sheepfold among the Green Mountains. A curious sight; these bashful bears, these timid warrior whalemen!
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To be cheerful, and to stand in no need, either of other men’s help or attendance, or of that rest and tranquillity, which thou must be beholding to others for. Rather like one that is straight of himself, or hath ever been straight, than one that hath been rectified.
About 00 Eckmania

00 Eckmania is a digital interpretation of "Eckmannschrift", a 1900 typeface designed by Otto Eckmann (punches cut by Louis Hoell) and published at the Rudhardsche foundry (under the supervision of Karl Klingspor).
Although there are many digitisations, there was still a missing revival, faithful to the original yet redesigned and adapted to contemporary aesthetics and uses. Until now!
Instead of focusing on a single source, 00 Eckmania encapsulates a whole variety of tones of voices through its optical size axis.
The small size extreme can actually hold surprisingly well at text sizes and withstand relatively long pieces of text; while the display cuts show their full potential of expressiveness and flourishes.
The terminals seemingly morph from serif-like shapes to pen brush strokes creating a wide array of styles.
Two more axes to go? Unpublished drawings from Otto Eckmann for "Eckmann-Kursiv" and "Eckmann Initialen" could be very interesting historical sources to to draw inspiration from for potential Italic and Monospace axes. So this is only the first chapter!

Read more about 00 Eckmania here
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Font styleGlyph nameAUnicode nameLoading...Unicode decimal65Unicode hex0041
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Baseline0
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Cap height700
x-Height542
Font styleGlyph nameuni0335.caseUnicode decimal821Unicode hex0335OpenType featurecase
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